Tonya Lewis Lee left the world of Corporate Law to pursue her goal of writing and television producing. After learning that in United States, children are dying at a faster rate than in several Third-World countries, Tonya knew she needed to take action. A mother of two and married to director Spike Lee, Tonya used her talent and skills to produce the documentary “Crisis in the Crib” and became the national spokesperson for “A Healthy Baby Begins With You,” a national infant mortality campaign sponsored by the Department of Health and Human Services (HHS). Recently selected as one of Women’s eNews 21 Leaders for the 21st Century, Tonya talks about her work on behalf of women and explains the importance of having as a country not just healthy babies but also healthy mothers and why supporting women in their decisions to have or not have children is key.
As a bestselling author and an award-winning TV producer with a background in law, one can definitely say about you that you have the ability to use both the right and left side of your brain. Was it a tough decision to stop practicing law? Do you ever see yourself returning to law perhaps through your community outreach work?
Interestingly enough given my career choice [to be a lawyer], I prefer to be on the creative side of my brain. It was not a tough decision because the truth of the matter is I originally went to Law School with the idea that I need to have a trade that would allow me to take care of myself. While practicing law, I did not mind the work but did not enjoy the corporate politics in the firm. When I was younger, I always wanted to write, produce, and direct which is funny because I ended up marrying a director. It took me a while to get back to my creativity but I always wanted to do it so it was not a difficult transition. I use my legal background in my own current work and I think the skills and organization I learned as a lawyer come in handy as a producer. I would not trade it for anything because I think it makes me better in everything that I do but I would not necessarily go back to it.
As a TV Producer and through your company Madstone you have focused on increasing the presence of people of color in mainstream media. Despite the fact that America has elected an African-American president, there does not seem to be many shows on television that showcase African-Americans in a positive light, for example the way shows like The Fresh Prince of Bel Air, The Cosby Show or Girlfriends did. Do you find this surprising and what would you like to see on mainstream television?
For me I think it would be great if we could see television in the way I live my life in New York City and what I mean by that is I live an integrated life. I have African-American friends, Jewish friends, white friends and Asian friends and what frustrates me about television often is that it is so segregated. We don’t see enough diverse images of African-Americans on television and I would have thought we would be able to progress a little further by 2010 where this was something we normally see. When you think about this year’s films Precious and The Blind Side, you see all these images of black people who are depraved and struggling and while I am not saying they don’t exist, there are just as many stories beyond that out there. I thought the film Avatar was interesting because you aren’t just talking about one type of black people and rather it is a movie about people of color and that was striking to me. Often Hollywood is very resistant to this and until we are able to get people of color in positions where they can green light shows and films, it is going to be a tough road to convince people that there are enough black people out there living a middle class life to justify making a story about them.
It seems like achieving such a portrayal was integral to “The Gotham Diaries,” the best seller you co-authored and which focuses on the educated, intelligent African-American elite of New York City. While this book included both respectable and scandalous characters, it presented the middle/upper class black community in a way that is rarely seen. What are your thoughts on shows like Housewives of Atlanta or Baldwin Hills which are reality TV attempts at achieving something similar?
Well I have to admit the Housewives of Atlanta is a guilty pleasure of mine. As much as I dislike reality television, I feel a little different about that show because it allows the characters to be complex, messy, human, and three dimensional. In that show they are allowed to be human beings and are not so different from say the characters of Housewives of Orange County or Housewives of New York. Yes it is ridiculous sometimes but it is no more ridiculous than the other shows in that franchise.
The World Health Organization ranked the United States 29th in the world with respect to its infant mortality which means American children are dying at the rate prevalent in Third-World countries. When you reach out to different communities do you find that they are shocked to learn this especially given the fact that African-American women and their infants are significantly more at-risk–regardless of income or education?
Yes I do think they are shocked and it is one of the issues that has not received a lot of play in the media. To me infant mortality is the marker of our country’s health and even among white Americans, the infant mortality is still ridiculously high compared to other nations. All these statistics and issues are hidden and people don’t want to talk about them. (more…)









